In this chilling sequel to 28 Days Later, the inhabitants of the British Isles appear to have lost their battle against the onslaught of disease, as the deadly rage virus has killed every citizen there. Six months later, a group of Americans dare to set foot on the isles, convinced the danger has come and gone. But it soon becomes all too clear that the scourge continues to live, waiting to pounce on its next victims.

Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs — and it’s absolutely impossible to contain.

When Liang Xia’s obsession for a perfect wedding puts a strain in the relationship with her fiancé, he ultimately calls it quits and breaks up with her. In a heartbroken state, Liang Xia carelessly ingests a magical item, which transports the 28-year-old’s mind back to when she was only seventeen years old.

1934. South of England. For no apparent reason and like five other unrelated people, Miranda, a 28-year-old florist, is invited for the weekend in the mansion of billionaire Lewis Findley

Calvin, an alcoholic wastrel, is forced to find a new job after he is fired from his grounds-keeping job at a golf course. After scaring away other potential applicants, he is hired to tend the grounds of a beautiful hillside mansion by Julie, the personal assistant to the owner of the home. Jack, heartbroken and suicidal, has refused to leave his property since his wife left him for a past love a year prior. On the night Jack decides to end it all, a drunken Calvin accidentally interrupts his boss’ suicide attempt. Calvin convinces Jack that it’s not worth it to kill himself when he has the means to continue living his reclusive lifestyle indefinitely. The two bond over their shared inclination to numb and preoccupy their minds rather than confront the pains of their past. When they can no longer run from their problems, their wills, and friendship, are truly tested. Written by 282 Studios.

An American family celebrates their 28-year-old daughter’s pregnancy. The celebration is interrupted when a Satanic cult leader, Henrik Brandr, unexpectedly visits their ranch. Henrik offers to pay the family a large sum for ownership of their land. Jacob Richardson, the father, rejects the offer due to the priceless sentimental value of the ranch. Henrik, displeased, begins to put devastating curses on the Richardsons, trying to force them off their land – even if it means murdering them. After suffering unexplainable tragedies, the Richardsons seek help from Marybeth, a white witch high priestess. They soon discover a terrible secret about their house, revealing why their land is so valuable to the cult. They realize they must protect their house from the cult at all costs, and a violent battle between good and evil ensues.

An American family celebrates their 28-year-old daughter’s pregnancy. The celebration is interrupted when a Satanic cult leader, Henrik Brandr, unexpectedly visits their ranch. Henrik offers to pay the family a large sum for ownership of their land. Jacob Richardson, the father, rejects the offer due to the priceless sentimental value of the ranch. Henrik, displeased, begins to put devastating curses on the Richardsons, trying to force them off their land – even if it means murdering them. After suffering unexplainable tragedies, the Richardsons seek help from Marybeth, a white witch high priestess. They soon discover a terrible secret about their house, revealing why their land is so valuable to the cult. They realize they must protect their house from the cult at all costs, and a violent battle between good and evil ensues.

A race car driver tries to transport an illegal beer shipment from Texas to Atlanta in under 28 hours, picking up a reluctant bride-to-be on the way.

Sequel to Deadly Prey. Colonel Hogan is still alive and just getting out of prison on parole, some 28 years later. But he has only one thing in mind and that is revenge on Mike Danton. So once again, Hogan puts together a group of mercenaries, has Danton kidnapped, and the games begin. Only this time Hogan is funded by a huge internet company in exchange for broadcasting the hunting of Danton over the internet, worldwide. For Hogan, winning is everything. Proving that there can only be one best and that it is him. What he had not thought of is that he isn’t the only one who had twenty eight years to get pissed off. Because now Mike Danton is pissed off and that means few will survive.

Why do 11,000 people die in America each year at the hands of gun violence? Talking heads yelling from every TV camera blame everything from Satan to video games. But are we that much different from many other countries? What sets us apart? How have we become both the master and victim of such enormous amounts of violence? This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist’s Cookbook to the murder of a six-year-old girl by another six-year-old, Bowling for Columbine is a journey through America, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

On a calm summer day in 1991, in the bustling Lokhandwala Complex, five criminals including Maya and Dilip were counting 70 lakhs in flat no. 32 B, when 286 policemen, headed by ACP Khan, took strategic positions around their building. A gunfire ensued and the entire nation witnessed the most talked about daylight encounter lasting 6 hours that transformed suburban Mumbai into a war zone.

Beksiński is a gentle man with arachnophobia, despite his hardcore sexual fantasies and his fondness for painting disturbing dystopian works. Beksiński is a family man who wants only the best for his loving wife Zofia, neurotic son Tomasz and the couple’s aging mothers. His daily painting to classical music eventually pays off and he makes a name for himself in contemporary art. Good Catholic woman Zofia tries to hold the family together, but troubled son Tomasz proves to be a handful with his violent outbursts and suicidal threats. Their relief is brief when he starts dating women and becomes a radio presenter and movie translator, and the concerned parents must be on constant watch to prevent their son from hurting himself. But Beksiński never believed that family life would always be sunshine and rainbows. As he tapes everything with his beloved camcorder, the 28-year Beksiński saga unfolds through paintings, near-death experiences, dance music trends and funerals…

Aiman is a 28-year-old Malay correctional officer who is recently transferred to the territory’s top prison. Aiman lives with his older sister Suhaila in a modest housing estate. At his new workplace, Aiman begins to take an interest in a 65-year-old sergeant named Rahim. Soon, it is revealed that the charismatic Rahim is actually the long-serving chief executioner of the prison. Rahim also takes notice of the principled and diligent Aiman. When Rahim’s assistant suddenly quits, he asks Aiman to become his apprentice. Aiman tells Suhaila of his new job position, but Suhaila becomes upset, as their father was actually executed by Rahim. Aiman knew this all along. Can Aiman overcome his conscience and a haunted past to possibly take over as the next chief executioner?

28-year-old Kansas University doctoral student Omar Razaghi wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three people who were close to Gund–his brother, widow, and younger mistress–so he can get authorization to write the biography. Written by Marisa_Gabriella, edited by Krystal Frauendienst

Suffocated by a cruel, inescapable siege imposed by the Syrian regime and after five months of incessant and senseless shelling, a group of children living in Aleppo start painting the walls of their city. It is an act of protest as well as resistance: a small act that dares to dream of bringing back life in a place that has been humiliated by bombs and bullets, while international powers were watching without doing anything to save lives. Thus, the colours sowed throughout the devastated city sprout small beacons of hope for the thousands of people trapped in Aleppo, smothered by the ruins and rubbles. So, while the Russian forces cut off supplies of food and medicine, more than 280,000 civilians languishing without a home or a shelter try to find new hope and reasons to go on. What happened in Aleppo will never be forgotten.

One of music’s biggest stars returns home to Fayetteville, NC, delivering a riveting performance in the exclusive HBO presentation J. COLE FOREST HILLS DRIVE: HOMECOMING, debuting SATURDAY, JAN. 9 (10:00–11:30 p.m. ET/PT). Part concert film, part backstage pass, the special tells his compelling life story through Cole’s own words and music, and through the observations of those who know him best. Featuring guest appearances by Jay Z and Drake, J. COLE FOREST HILLS DRIVE: HOMECOMING showcases live versions of all 13 songs from his third album, “2014 Forest Hills Drive.” Cole delivers a powerful performance that leaves his fans elated or in tears, connecting with audiences in a way few others can. Songs from “2014 Forest Hills Drive” include “January 28th,” “Wet Dreamz,” “03’ Adolescence,” “A Tale of 2 Citiez,” “Fire Squad,” “St. Tropez,” “Love Yourz,” “G.O.M.D.,” “No Role Modelz,” “Hello” and “Apparently.”

Directed by Ian Gabriel, “Four Corners” revolves around a 13-year-old chess whiz drawn into the Cape Town’s well-known child-gang culture. Touted as the first film to delve into the 100-year-old war between South Africa’s so-called Number gangs, the 26 and the 28, it blends the Sabela, Tsotsi-taal and Cape Afrikaans dialects and mixes established talents with non-actors and first-time thesps from schools and communities across the Cape Flats.